As she kicked off the final leg of her tour in Miami, Swift debuted an updated version of her asymmetric Roberto Cavalli Reputation jumpsuit, this time with glittering golden snakes curling up from her ankle to her neck.

The three-dimensional snake is fully articulated with gold baguettes, black bezels, and crystal stone accents. This version of the jumpsuit features the cobra facing upwards (while the previous red version had the animal’s head pointing down). Matching combat boots feature the same base and embroidery.

The singer has worn multiple versions of this floaty chiffon Roberto Cavalli gown throughout the tour, for the Acoustic section, debuting this red, magenta and teal version in Miami.

The hemline of the dress is shorter in the front and extends longer in the back, and is entirely covered in crystals in colours following the shades and gradients of the fabric.

The singer also showcased another new Roberto Cavalli design, custom-made by creative director Fausto Puglisi – this time a shimmering blue and silver mini-dress with a fringed skirt, worn with glittering Chrisian Louboutin boots.

The dress was crafted with light sapphire and aurora borealis stones and sequins, which catch the light.

Another new costume variation, for the Midnights portion of the show, was this embellished Jenny Packham dress with matching faux fur coat.

Swift unveiled a new Zuhair Murad look while on-stage at Wembley Stadium in London – her fourth variation of bodysuit by the Lebanese designer for the Midnights era section of the tour. The corseted design was decorated with beaded fringing, silver stars and a crescent moon.

The singer debuted a new custom Vivienne Westwood dress on her opening night in Milan.

The white taffeta corseted design was embellished with black crystals spelling out the lyrics, “Who’s afraid of little old me? You should be…”, from her single, Who’s Afraid of Little Old Me?.

For the London leg of her tour, Swift added an elegant piece of jewellery in the form of a Tiffany T Diamond Wire ring in 18k gold by Tiffany & Co, which she wore on the index finger of her right hand.

Swift took to the stage in Paris wearing this custom silver twill tailcoat with black crystal-embellished lapel by Vivienne Westwood, paired with a custom silver twill bustier and matching high-waisted briefs. She completed the look with a three-row orb choker in black agate.

The previous night, she wore the same Vivienne Westwood look but in gunmetal and black.

The singer also debuted this colourful two-piece set created by Roberto Cavalli creative director Fausto Puglisi, which she wore with mismatching boots.

The mini skirt and bustier were meticulously adorned with stones, sequins, and bejewelled crystals in varying colours, with ombré shading to add depth.

She also wore a yellow and orange version of the look.

Another bright Roberto Cavalli look came in the form of this floaty gown with a tiered skirt, which has been created in multiple colourways.

The chiffon dress features an ombré design in varying sunset colours, and a hemline that’s shorter at the front and extends longer in the back.

Taylor Swift kicked off the European leg of her tour in a sparkling double-breasted Versace blazer, embellished with iridescent fuchsia crystals and accented with gold Medusa buttons. She paired the custom jacket with ombré Christian Louboutin boots – a bespoke version of the Eleonora Botta style – covered with thousands of glittering strass crystals.

Underneath the blazer she wore a crystal-embroidered Versace bodysuit with bustier boning structure, covered in paillettes in tones of orange with iridescent elements.

For the new Tortured Poets Department section, Swift debuted this custom corseted Vivienne Westwood dress. The design, created from recycled white taffeta, featured lyrics from her latest single, Fortnight: “I love you, it’s ruining my life.”

She styled the dress with a matching white military jacket with tasselled epaulettes, and lace-up Christian Louboutin ankle boots.

The singer also added a new Zuhair Murad couture bodysuit to her wardrobe rotation in Paris. The cut-out piece featured fringing and embroidery in varying shades of midnight blue.

The singer has worn numerous Alberta Ferretti designs throughout the tour so far, including this flowing yellow dress seen in Paris.

The custom tiered gown featured voluminous sleeves and delicate crystal and micro-beading embroidery.

In Singapore, Taylor Swift performed onstage in a voluminous lilac Nicole + Felicia ballgown, featuring a tiered tulle skirt that captured the light, thanks to its crystal-embellished finish.

For some of her more acoustic songs, Swift chose a ruffled red dress by the designer Jessica Jones. She wore the gown with glittering Christian Louboutin boots; a staple accessory in her Eras tour wardrobe.

Swift treated fans to the ultimate party look – an orange shimmering two-piece by Roberto Cavalli. Its design gave the illusion of crystal water droplets, which moved effortlessly as she performed onstage. She wore the outfit with her go-to sequin Christian Louboutin ankle boots.

For the Florida leg of the tour, Taylor Swift wore a green chiffon gown designed by Alberta Ferretti.

The ethereal dress featured a deep neckline, flowing sleeves and embroidered leaf detailing.

Swift performed on-stage in a beautiful Elie Saab couture gown that was covered in floral appliqué and shimmering beading.

The singer switched it up in a sequinned pinstripe blazer by Versace, featuring gold stripes and matching buttons.

Swift wore a sequinned Ashish t-shirt embroidered with her lyrics, paired with a Gladys Tamez Millinery hat. The text on her slogan tees has been changing at each stop of the tour.

The singer twirled across the Las Vegas stage in this delicate chiffon Alberta Ferretti gown. The lace detail and crystal embroideries caught the light beautifully as she moved.

The blush-pink design featured theatrical flowing sleeves and lace trim.

Swift has made embellished bodysuits central to her ‘Eras’ wardrobe. This purple beaded look by Zuhair Murad, complete with co-ordinating knee-high boots by Christian Louboutin (of course), took more than 350 hours to create from 20,000 glittering crystals and pearls – and she even wore a matching beaded garter.

In Las Vegas, the singer took to the stage in a glittering red coat by Ashish, which was layered over a matching bodysuit and colour co-ordinated with her guitar.

Taylor Swift kicked off her tour in Arizona wearing a custom-made Zuhair Murad Couture tulle ballgown – featuring beading, sequins, pearls and crystal embellishments all over the voluminous skirt and bodice. The impressive dress required 50 metres of tulle, while the elaborate design took more than 350 hours of handwork to create in the brand’s atelier.

On opening night, Swift closed the show in a beautiful deep midnight-blue leotard (fittingly, to perform tracks from her album Midnights) designed by Oscar de la Renta, paired with matching glittery boots.

Swift wore a gold-fringed Roberto Cavalli couture mini-dress, designed by creative director Fausto Puglisi, which she teamed with a pair of silver cowboy boots.

The dress shimmered with embroidered metallic fringing that formed a zig-zag pattern, with a sweetheart neckline.

One of her most dramatic looks from the tour has been this Roberto Cavalli one-legged jumpsuit. The design features a black sheer sleeve, glittering material and a three-dimensional embroidered snake motif winding from the bottom of her leg to the top of her neck.

The ruby red snake contrasts with the black bezels of the design. She finished the look with simple black ankle boots.

Swift also opted for a co-ordinating crop top and skirt as part of her ever-expanding tour wardrobe, in what was her third Roberto Cavalli look of the show.

The embroidered top and mini-skirt was created in a fun fuchsia shade, with beaded detail that moved when she danced.

Swift teamed an embellished iridescent bodysuit by Versace with silver knee-high boots by Christian Louboutin.

The singer layered a silver sparkling Versace blazer over her bodysuit to perform her hit “The Man”.

In addition to the shimmering Zuhair Murad gown, the performer wore a bespoke crystal-embellished ballgown designed by Nicole + Felicia.

The singer also performed in a more delicate look in the form of this floaty, layered lilac dress by Alberta Ferretti.

“Thinking about these stage dresses for her pushed me to reflect on my own career milestones,” explained Ferretti. “I think what we have created reflects this journey where the key elements of my style stand out: lightness, femininity, romance, attention to detail and a delicate, gentle seduction.”

This fringed Roberto Cavalli dress (one of several pieces by the Italian brand) featured two-tone gold and silver crystals.

Swift’s second Oscar de la Renta look consisted of a sequinned ‘aurora borealis’ T-shirt dress with a co-ordinating lavender faux fur coat, which also featured delicate crystal droplets.

Swift added this custom-made orange Etro gown to her repertoire, which featured a tiered, patterned skirt and laced bodice.